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<channel>
	<title>xuanyang</title>
	<link>https://nolanh.net</link>
	<description>xuanyang</description>
	<pubDate>Tue, 24 Sep 2024 02:34:25 +0000</pubDate>
	<generator>https://nolanh.net</generator>
	<language>en</language>
	
		
	<item>
		<title>Memories Atlas pt.1 (Waiheke)</title>
				
		<link>https://nolanh.net/Memories-Atlas-pt-1-Waiheke</link>

		<pubDate>Sat, 07 Aug 2021 09:35:49 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Memories-Atlas-pt-1-Waiheke</guid>

		<description>
	Memories Atlas. pt.1&#38;nbsp;

AI Generative Latent Video / 
Transparency films
2021












Memories Atlas is a series of artwork that explores how machines interpret and re-create private/collective memories. 

Waiheke is a series of prints of transparency film selected from a trained video from a GANs model. The original footage is the artist's family video recording of playing on the seaside. Each frame from the original video is intercepted as the dataset used in machine learning. Past moments in time are re-lived through the eyes of an artificial intelligence model,  reconstructs and reinterprets the original everyday fragments through training. It attempts to explore how memories are displayed artificially. How does artificial intelligence reconstruct the memory fragments of the past through its observation?







 






	


	

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&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/1810905eda061971c60360926ff7a73a6958d1a1b381b86b4ddc5c4544235895/Training-Image-Experiment-2-5.jpeg" data-mid="115603971" border="0"  src="https://freight.cargo.site/w/1000/i/1810905eda061971c60360926ff7a73a6958d1a1b381b86b4ddc5c4544235895/Training-Image-Experiment-2-5.jpeg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/695ce852debb3993ac8a7578e9b32312dcaf953b8a750f1a90fd71943c47c44e/Training-Image-Experiment-3-.jpeg" data-mid="115603972" border="0"  src="https://freight.cargo.site/w/1000/i/695ce852debb3993ac8a7578e9b32312dcaf953b8a750f1a90fd71943c47c44e/Training-Image-Experiment-3-.jpeg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/83c4468c10bb83e0c28c2d98bb320c01f7e23269c2da9e6ea705f9bb92f5873a/Training-Image-Experiment-2-7.jpeg" data-mid="116266784" border="0"  src="https://freight.cargo.site/w/1000/i/83c4468c10bb83e0c28c2d98bb320c01f7e23269c2da9e6ea705f9bb92f5873a/Training-Image-Experiment-2-7.jpeg" /&#62;

&#60;img width="1924" height="882" width_o="1924" height_o="882" data-src="https://freight.cargo.site/t/original/i/3863efb815d1c6d05904945b3879229997226383a267d4b1a85790318fa5f559/-2021-08-12-6.49.43.png" data-mid="116274238" border="0"  src="https://freight.cargo.site/w/1000/i/3863efb815d1c6d05904945b3879229997226383a267d4b1a85790318fa5f559/-2021-08-12-6.49.43.png" /&#62;



</description>
		
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	<item>
		<title>Look and Read </title>
				
		<link>https://nolanh.net/Look-and-Read</link>

		<pubDate>Thu, 16 Jun 2022 09:13:03 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Look-and-Read</guid>

		<description>
	Look and Read&#38;nbsp;
Three-channel video Installation, 
with headphones
2022












Look and Read is a 3-channel video consisting of a series of image datasets selected from famous conceptual and abstract artworks from contemporary art history. Each artwork image has one or more colour-coded rectangular boxes on it. The rectangular box indicates that the machine learning algorithm identifies the artwork's image element, and the identified noun appears above the box. 
These visual compositions of images with boxes and text look like the YOLO model, which is widely used for AI object recognition and object detection. The algorithm model is typically used for object detection in technologies such as autonomous driving. 
By learning, human labelling and classifying large batches of image information, the machine can recognize objects within the frame with the help of the YOLO algorithm as it learns to classify large batches of information. 
However, a reversal of this artwork is that it is not the YOLO algorithm that presents the recognition results, but the words are named by three children aged 7-9. These words are their first response when they look at the artwork. I asked them to view works from contemporary art history, and they responded to the artworks after naming each one with only a noun. It is worth noting that these children had not seen these works. 
Look and Read seeks to expose, in a counterfactual way, the possible human intervention in training today's artificial intelligence in datasets. In today's digital age, collecting data on a large scale requires a human being to classify the data. AI algorithms cannot understand datasets' potential complexity and subjectivity. Seemingly innocuous and anonymised data messages are often laced with highly personalised messages. These messages can lead to social issues of bias and subjectivity in implementing AI technologies, raising questions about AI data subjects. 
The work also attempts to echo John Searle's The Chinese Room argument. 
This thought experiment is used to counter the idea that computers and other artificial intelligence can think. Unlike the Chinese Room scenario, the three children respond to the artwork from their imagination and subconscious. They may not understand the artwork's meaning, but their imagination and subconscious can give them a unique response to the artwork. 
A headphone will be attached to the bottom of each of the video, and inside the headphone plays a recording of the children's words. 









 






	


	
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&#60;img width="551" height="605" width_o="551" height_o="605" data-src="https://freight.cargo.site/t/original/i/c7e26a4e08d3ef44ac834d4fa3faa33c2a31f942ff528d29bae07d5d1691d31d/Schermafbeelding-2021-08-30-om-11.03.31.png" data-mid="145576866" border="0" data-scale="73" src="https://freight.cargo.site/w/551/i/c7e26a4e08d3ef44ac834d4fa3faa33c2a31f942ff528d29bae07d5d1691d31d/Schermafbeelding-2021-08-30-om-11.03.31.png" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Imaginary Sunset</title>
				
		<link>https://nolanh.net/Imaginary-Sunset</link>

		<pubDate>Wed, 15 Sep 2021 12:03:27 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Imaginary-Sunset</guid>

		<description>
	
Imaginary Sunset
AI Generative Video&#38;nbsp;
Installation
2021
























Imaginary Sunset is an AI-generated video that investigates how technology interprets collective memory experience. The machine learning model generates a set of fictional landscape pictures using a custom dataset of sunset photographs taken by individuals around the globe on social media platforms in 2020.&#38;nbsp; It attempts to transform the real, existing collective memory photographs into fictional images.

It explored how artificial intelligence is being used to interrogate the duality between reality and fake and is supposed to recreate memories about the pandemic lockdown from a machinery perspective.&#38;nbsp;The sunset landscape is a typical and commonplace photographic subject. Even so, in the midst of the worldwide pandemic, it takes on a significance that cuts over cultural and political boundaries, as though as a symbol of humanity observing the times.
 










 






	
	

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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1c3ec5f36539a26d69bb365fde28867059df5746a2d55285e7117c7e4f9ee26e/documentation-unedited.00_00_18_21.001.jpg" data-mid="118981267" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/1c3ec5f36539a26d69bb365fde28867059df5746a2d55285e7117c7e4f9ee26e/documentation-unedited.00_00_18_21.001.jpg" /&#62;

&#60;img width="2694" height="3282" width_o="2694" height_o="3282" data-src="https://freight.cargo.site/t/original/i/eee7adea522b74ed7c71830a29257e9f2248b4fcdd52894055c4d36d7886f8f7/IMG_2657.jpeg" data-mid="123716536" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/eee7adea522b74ed7c71830a29257e9f2248b4fcdd52894055c4d36d7886f8f7/IMG_2657.jpeg" /&#62;

&#60;img width="2971" height="3229" width_o="2971" height_o="3229" data-src="https://freight.cargo.site/t/original/i/f34c160ac22dcf4666d4c64878414fbf57d45bfa08fca152b1abc388585f197f/IMG_2630.jpg" data-mid="123716477" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/f34c160ac22dcf4666d4c64878414fbf57d45bfa08fca152b1abc388585f197f/IMG_2630.jpg" /&#62;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b34a87627c952ded0c61786a40e2c973a780ac74d178f918ad1df20ed0e85af0/IMG_2665.jpeg" data-mid="123716723" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/b34a87627c952ded0c61786a40e2c973a780ac74d178f918ad1df20ed0e85af0/IMG_2665.jpeg" /&#62;




</description>
		
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	<item>
		<title>Them </title>
				
		<link>https://nolanh.net/Them</link>

		<pubDate>Tue, 07 Mar 2023 12:30:07 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Them</guid>

		<description>
	
Them
AI - generated images with Film Slides
2023
























	
		
		
	
	
		
			
				
					
						
This work consists of a series of positive film slides placed on a slide projector. The film that loops on
the slide show is a series of fictional portraits of people. The photographs were synthesised by
artificial intelligence, with the artist organising his family albums before curating and selecting the
pictures to form an original data set. The artist then used different AI models to process them,
creating images that appear to be based on the artist's memories but which are nonetheless
ambiguous, difficult to recognize.

						
Them illustrates how memory is mediated and transformed through technology. In order to explore
how family photographs are based on personal memories, our individual memory can here be
interpreted and reconstructed through the eyes of a machine. Family portraits are the most common
and mundane photographic subject matter. The artist collected his datasets from a group of family
pictures captured using a film camera, which were then processed digitally by machine learning and
recreated using a text-to-image conversion process, turning these familiar family portraits into
fictional figures. The portraits of ordinary family members are thus turned into unrecognisable digital
figures and then printed back into the medium of analog film. The past private memory has been
estranged through technology. In this way, the work explores the reconstruction of human memory
by machines, and imagines the potential relationship between photography and artificial intelligence.

					
				
			
		
	

 










 






	
	&#60;img width="1846" height="1062" width_o="1846" height_o="1062" data-src="https://freight.cargo.site/t/original/i/1b343c1b090b002ac49832af704d37136c558cc961352a7be4e13e7c2e9c66a0/-2023-03-07-8.38.58.png" data-mid="170828404" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/1b343c1b090b002ac49832af704d37136c558cc961352a7be4e13e7c2e9c66a0/-2023-03-07-8.38.58.png" /&#62;&#60;img width="2090" height="1438" width_o="2090" height_o="1438" data-src="https://freight.cargo.site/t/original/i/0f4b620b9dc5d98a525c400ee9de34447effad9308a221c63f8822ed1cbb814a/-2023-02-14-12.12.47.jpg" data-mid="170827708" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/0f4b620b9dc5d98a525c400ee9de34447effad9308a221c63f8822ed1cbb814a/-2023-02-14-12.12.47.jpg" /&#62;
&#60;img width="1974" height="1064" width_o="1974" height_o="1064" data-src="https://freight.cargo.site/t/original/i/a1a8f4d4c558d3906f53a4f94459c0a695db98c25e983c66d54c2bd10fa0e7fe/-2023-03-07-8.39.12.png" data-mid="170828438" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/a1a8f4d4c558d3906f53a4f94459c0a695db98c25e983c66d54c2bd10fa0e7fe/-2023-03-07-8.39.12.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/21ba4f41604894d49ad1d325028e2f1bf8dc5ef2a85d736b0dcc99e4551d6201/Fig-3.png" data-mid="170827884" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/21ba4f41604894d49ad1d325028e2f1bf8dc5ef2a85d736b0dcc99e4551d6201/Fig-3.png" /&#62;





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	<item>
		<title>Cinema Meowdiso </title>
				
		<link>https://nolanh.net/Cinema-Meowdiso</link>

		<pubDate>Tue, 24 Sep 2024 02:34:25 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Cinema-Meowdiso</guid>

		<description>
	
Cinema Meowdiso
AI-generated Films, Generative Film System
2024
Collaboration with Xiaoyun Zhong&#38;nbsp;“Cinema Meowdiso” is a system that ingeniously combines everyday pet life with artificial intelligence technology, transforming ordinary pet videos into imaginative short films. This system explores the potential of non-human entities as narrative subjects while investigating how AI can autonomously create cinematic imagery from a cat's perspective under minimal human guidance.

At the heart of the project is an automated visual storytelling system based on a pet's point of view. It aims to create a fictional narrative experience that resonates and interacts with real-life imagery in intriguing ways.

Our protagonist and 'cinematographer' is a cat named Whisker. Equipped with a portable camera, Whisker captures precious moments of its daily home life. Our AI system then intelligently filters and processes these raw images, transforming them into scene elements of various film genres. We've carefully selected science fiction, detective, gangster, kung fu, western, and horror as reference bases for AI learning and content generation.

Daily, the system generates and pushes a random genre short film to pet owners. This element of surprise adds to the viewing experience, as owners never know what style of 'cat blockbuster' they'll receive.

The name 'Cinema Meowdiso' pays homage to the classic film 'Cinema Paradiso'. While in 'Cinema Paradiso', films become a reflection and solace for the protagonist's life, in 'Cinema Meowdiso', we assign this role to our cat. This creates a unique intertextuality: the cat's real-life experiences intertwine with AI-generated film narratives, forming an intriguing and profound dialogue.

It not only explores the possibilities of pets and AI as co-creators but also challenges our traditional understanding of narrative subjects and creative processes. It further prompts reflection on human-machine collaboration, non-human perspectives, and the boundaries between fiction and reality.

Credits:&#38;nbsp;

Nolan Huang Xuanyang (Director)&#38;nbsp;
Xiaoyun Zhong (Technical Development)
Cengceng (The Cat)

Wei Huang
Kedouh (Graphics Design)


Support by 
Computational Media and Arts Lab, Hong Kong University of Science and Technology (Guangzhou)













	
		
		
	
	
		
			
				
					
						

					
				
			
		
	

 










 






	
	&#60;img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/53439d521243055c504f67716ca7331e4e44e9df1d3277d06cafc9427594254d/artp_195s1.jpg" data-mid="218567307" border="0"  src="https://freight.cargo.site/w/1000/i/53439d521243055c504f67716ca7331e4e44e9df1d3277d06cafc9427594254d/artp_195s1.jpg" /&#62;


&#60;img width="2000" height="1143" width_o="2000" height_o="1143" data-src="https://freight.cargo.site/t/original/i/0a79ca7b14d15077c197e07fcfa33d3bb47c897e78409b25b130291000258f81/2.png" data-mid="218571545" border="0"  src="https://freight.cargo.site/w/1000/i/0a79ca7b14d15077c197e07fcfa33d3bb47c897e78409b25b130291000258f81/2.png" /&#62;&#60;img width="1792" height="1024" width_o="1792" height_o="1024" data-src="https://freight.cargo.site/t/original/i/07dd4a60e1560ca85f3aa284f03b93eee93683cf8c153b0b48b9a6e3d1296971/artp_195-horror.jpeg" data-mid="218571592" border="0"  src="https://freight.cargo.site/w/1000/i/07dd4a60e1560ca85f3aa284f03b93eee93683cf8c153b0b48b9a6e3d1296971/artp_195-horror.jpeg" /&#62;&#60;img width="1792" height="1024" width_o="1792" height_o="1024" data-src="https://freight.cargo.site/t/original/i/7bc9d3a86f38b9d1bbf61607e63efa2e254cc354997340251552faccd908c5bc/artp_195_sci-fi.jpeg" data-mid="218571736" border="0"  src="https://freight.cargo.site/w/1000/i/7bc9d3a86f38b9d1bbf61607e63efa2e254cc354997340251552faccd908c5bc/artp_195_sci-fi.jpeg" /&#62;&#60;img width="3448" height="2219" width_o="3448" height_o="2219" data-src="https://freight.cargo.site/t/original/i/e85fbdabc96df5d1892a2cca409fee115e140a27f7b444f52577a05c0521cae5/artp_195.JPG" data-mid="218570756" border="0"  src="https://freight.cargo.site/w/1000/i/e85fbdabc96df5d1892a2cca409fee115e140a27f7b444f52577a05c0521cae5/artp_195.JPG" /&#62;&#60;img width="2796" height="1224" width_o="2796" height_o="1224" data-src="https://freight.cargo.site/t/original/i/c4f9074ccca4f8c83d88c54c9abafc398d8add026037d15ece863552b6d4dd9b/fig-5.jpeg" data-mid="218570757" border="0"  src="https://freight.cargo.site/w/1000/i/c4f9074ccca4f8c83d88c54c9abafc398d8add026037d15ece863552b6d4dd9b/fig-5.jpeg" /&#62;



</description>
		
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	<item>
		<title>Loading Bah </title>
				
		<link>https://nolanh.net/Loading-Bah</link>

		<pubDate>Sat, 07 Aug 2021 09:47:18 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Loading-Bah</guid>

		<description>
	











Loading Bah Bah Bah&#38;nbsp;





8 hours long Experimental Film, Monitor, 
Mouse and Keyboard&#38;nbsp;
2021
Vladimir: Well? Shall we go?
Estragon: Yes, let’s go.&#38;nbsp;
[They do not move]&#38;nbsp;
_ Samuel Beckett&#38;nbsp;
‘Waiting for Godut’&#38;nbsp;

A monitor displayed an endless loading bar, with sarcastic commentary and absurd visual monologues. 
enjoy. 











&#38;nbsp;






	
	
&#60;img width="3672" height="2066" width_o="3672" height_o="2066" data-src="https://freight.cargo.site/t/original/i/5f8fb5b200ae118b5b40c91adbd0b599e77454add0facd561de6d03cf68591f1/IMG_0950.JPG" data-mid="115604218" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/5f8fb5b200ae118b5b40c91adbd0b599e77454add0facd561de6d03cf68591f1/IMG_0950.JPG" /&#62;&#60;img width="3672" height="2066" width_o="3672" height_o="2066" data-src="https://freight.cargo.site/t/original/i/b0ced3afa3cd638a5941b16ecc04f398b07af22fd895595e70e7f728b0fa84a0/IMG_0996.JPG" data-mid="115604212" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/b0ced3afa3cd638a5941b16ecc04f398b07af22fd895595e70e7f728b0fa84a0/IMG_0996.JPG" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>Above The Surface (New) </title>
				
		<link>https://nolanh.net/Above-The-Surface-New</link>

		<pubDate>Sat, 07 Aug 2021 07:25:35 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Above-The-Surface-New</guid>

		<description>
	

Above The Surface&#38;nbsp;

6-Channel Video Installation/Color/Stereo Sound
2020













Above the Surface, is a multi-channel video installation generated by 3D simulation.


Using the artistic medium of time-based media, Above the Surface explore the different states of water and fluidity, by showing the essence of movement and symbolised power of fluid. It’s a poetic and meditative tableaux that illustrated the surface and structural tension of the fluid. explores the essence of movement and dynamics as forms in space and time perspective.


By investigating Gaston Bachelard’s Water and Dreams about the imagination of water and matter, it imagines the subatomic particles and dynamic patterns at a microscopic level, to perceive the rhythmic and fluctuating movement in a constant imagination of time perception. 






	
	&#60;img width="3809" height="2857" width_o="3809" height_o="2857" data-src="https://freight.cargo.site/t/original/i/177689294362f91e0e980b25c80cb3ba1302ebe40d0d4586c02ea0e6f9cad1c5/IMG_1121.jpeg" data-mid="116182810" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/177689294362f91e0e980b25c80cb3ba1302ebe40d0d4586c02ea0e6f9cad1c5/IMG_1121.jpeg" /&#62;
&#60;img width="1102" height="1250" width_o="1102" height_o="1250" data-src="https://freight.cargo.site/t/original/i/9b5b18ae17bfd2f31214efd0bae602f6aba9558338af74c872612766f2fca21b/-2020-05-23-7.24.43.png" data-mid="115601172" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/9b5b18ae17bfd2f31214efd0bae602f6aba9558338af74c872612766f2fca21b/-2020-05-23-7.24.43.png" /&#62;&#60;img width="3276" height="1782" width_o="3276" height_o="1782" data-src="https://freight.cargo.site/t/original/i/29609160a6131eae0307975411e630e100ab94e7d4741a64e08c437afc0b7b85/-2021-06-10-2.04.52.png" data-mid="115601128" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/29609160a6131eae0307975411e630e100ab94e7d4741a64e08c437afc0b7b85/-2021-06-10-2.04.52.png" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3789b38338d3049f8ac12f2a18b12960abab21d8f9fdbd9d2c188c58a6af2b4e/Abstract.00_00_49_01.001.jpg" data-mid="115601280" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/3789b38338d3049f8ac12f2a18b12960abab21d8f9fdbd9d2c188c58a6af2b4e/Abstract.00_00_49_01.001.jpg" /&#62;
&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/b663918f7b70bcdb841990fde4054acb4a168fa7759cbd4c551714f087d140cd/Abstract.00_02_20_20.003.jpg" data-mid="115601290" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/b663918f7b70bcdb841990fde4054acb4a168fa7759cbd4c551714f087d140cd/Abstract.00_02_20_20.003.jpg" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>Perpetual (New</title>
				
		<link>https://nolanh.net/Perpetual-New</link>

		<pubDate>Sat, 07 Aug 2021 08:05:56 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Perpetual-New</guid>

		<description>
	
Perpetual

 Digital Animation/Stereo Sound/6’00
2018&#38;nbsp;


Perpetual, a seascape portrait with a presentation of unpredictable infinity and its ambiguous solitude. Starting with the research and visual interpretation to Stanislaw Lem’s novel Solaris (1972)&#38;nbsp; the virtual environment seen through the lens of sublime landscape portrait and attempted to explore the ambiguity of photography and moving images. It presents the symbolism of overwhelming unknown power of nature through experimenting with spiritual visual observations. 


The seascape is digitally rendered by computer graphics.



 






	
	
&#60;img width="1573" height="931" width_o="1573" height_o="931" data-src="https://freight.cargo.site/t/original/i/3a7d353a595ab73eb86485a8c3502b09483a51b02ee8dc1e6092e5c97c5c87e2/-2018-05-18-4.06.13.png" data-mid="115601428" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/3a7d353a595ab73eb86485a8c3502b09483a51b02ee8dc1e6092e5c97c5c87e2/-2018-05-18-4.06.13.png" /&#62;
&#60;img width="1004" height="1082" width_o="1004" height_o="1082" data-src="https://freight.cargo.site/t/original/i/bfabbd49f642823256aede97ec3b359593abfa9bd1adce85225a7029d90b076b/-2020-05-23-8.13.17.png" data-mid="115601430" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/bfabbd49f642823256aede97ec3b359593abfa9bd1adce85225a7029d90b076b/-2020-05-23-8.13.17.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eb2d206bc4fc0ae6f72ab9edec26703ae8c42ea9e1f2abe597b4dca92fe74750/Perpetual_3.jpg" data-mid="115601561" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/eb2d206bc4fc0ae6f72ab9edec26703ae8c42ea9e1f2abe597b4dca92fe74750/Perpetual_3.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0b4882f6596c4a53e401c65e3a17f5304afc806dac1e614986bd4117af85f9d9/IMG_5110.JPG" data-mid="115601568" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/0b4882f6596c4a53e401c65e3a17f5304afc806dac1e614986bd4117af85f9d9/IMG_5110.JPG" /&#62;




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	<item>
		<title>Interplay (new)</title>
				
		<link>https://nolanh.net/Interplay-new</link>

		<pubDate>Sat, 07 Aug 2021 08:18:50 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Interplay-new</guid>

		<description>
	


Interplay

Digital Photography
2019&#38;nbsp;













To dive into the generative potentialities of digital images. Interplay is an abstract photographic exploration playing with the materiality of the pixel of digital images by erasing and deconstructing positions of pixel inside a series of landscape portraits taken by the artist. With the use of customized image-processing algorithm, the intervention of computational data transforms the original pixels information, positions, and colors into a paradoxical photographic reality. It attempts to question the essence of the subject matter of digital image by convey the captured subject into an unexpectedly reality , as well as imagines an experimental perspective on future images.







 






	
	&#60;img width="5182" height="2915" width_o="5182" height_o="2915" data-src="https://freight.cargo.site/t/original/i/d646867144f25bbfbcf01701168d5687338dbcb717abc4db40bf058d69556338/IMG_2351.JPG" data-mid="115601977" border="0"  src="https://freight.cargo.site/w/1000/i/d646867144f25bbfbcf01701168d5687338dbcb717abc4db40bf058d69556338/IMG_2351.JPG" /&#62;
&#60;img width="2612" height="860" width_o="2612" height_o="860" data-src="https://freight.cargo.site/t/original/i/1593f12ce254d8b2c861b91251c3941ccdb92a560d131fd2f508a6e22e65d8c5/IMG_2343.JPG" data-mid="115601978" border="0"  src="https://freight.cargo.site/w/1000/i/1593f12ce254d8b2c861b91251c3941ccdb92a560d131fd2f508a6e22e65d8c5/IMG_2343.JPG" /&#62;
&#60;img width="2690" height="4032" width_o="2690" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bda52c59b6ad3397e9e6c0d3146ef1da5417300486553532d8a00bc0a98aebbb/new-2020-06-12-at-11.06.25.jpg" data-mid="115602029" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bda52c59b6ad3397e9e6c0d3146ef1da5417300486553532d8a00bc0a98aebbb/new-2020-06-12-at-11.06.25.jpg" /&#62;&#60;img width="2690" height="4032" width_o="2690" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bc2f858e1519381dde90a6b4150c190ec3a3fe9d6001c6539fe5cf5f76733ca8/7.jpg" data-mid="115602055" border="0"  src="https://freight.cargo.site/w/1000/i/bc2f858e1519381dde90a6b4150c190ec3a3fe9d6001c6539fe5cf5f76733ca8/7.jpg" /&#62;&#60;img width="1102" height="1251" width_o="1102" height_o="1251" data-src="https://freight.cargo.site/t/original/i/cd1cc57aca9fc6c788c49d80e054d57822a1ff6bc7789bb4ff0ab4192a1a5ff8/4.jpg" data-mid="115602028" border="0"  src="https://freight.cargo.site/w/1000/i/cd1cc57aca9fc6c788c49d80e054d57822a1ff6bc7789bb4ff0ab4192a1a5ff8/4.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Duet (new)</title>
				
		<link>https://nolanh.net/Duet-new</link>

		<pubDate>Sat, 07 Aug 2021 08:20:08 +0000</pubDate>

		<dc:creator>xuanyang</dc:creator>

		<guid isPermaLink="true">https://nolanh.net/Duet-new</guid>

		<description>
	
Duet. 
(n. In The Mood for Love, or chao)

 Real-time Generative Text Loop
2021












Duet is a real-time cinema with only subtitles on screen. Appropriating a classic scene from Wong Kar Wai's movie In The Mood for Love, the dialogues line from two protagonists, also a couple falling into an adulterous relationship, Chow Mo-wan and Su Li-shen, are split into short fragmental sentences. The dialogue is played randomly in an endless cycle of wordplay, recombining and deconstructing the original plot of the story.&#38;nbsp; 


Through the use of custom software, the dialogue between Chow Mo-wan and Su Li-shen is presented in a real-time and non-repetitive order, after being disturbed by a random algorithm, which results in different dialogues every time. Forming narratives that are absurd, senseless while at times suggestive and ambiguous, it supposed to extend a minimal language of meta-cinema and narrative possibilities. To propose a question: If the dialogues of a film are tampered by a computational algorithm, can it generate a new narrative possibility? 


During the round of dialogue playing, an unexpected plot emerges. The generative dialogues became meaningless and illogical as time goes on, which echoed the conversational state of ambiguity and emotional relationship in Roland Barthes’ Fragments d’un discours amoureux. 










	
	
&#60;img width="1308" height="900" width_o="1308" height_o="900" data-src="https://freight.cargo.site/t/original/i/c0d2033f0a1d113b65dda26073603a3a8306d7c23910d69f786295a1fde40bed/-2021-05-28-5.41.59.png" data-mid="115601742" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/c0d2033f0a1d113b65dda26073603a3a8306d7c23910d69f786295a1fde40bed/-2021-05-28-5.41.59.png" /&#62;
&#60;img width="3328" height="1842" width_o="3328" height_o="1842" data-src="https://freight.cargo.site/t/original/i/72bf4e5a7b9e5798bbd2d97c21d4b210794acc98637b25bd9521dd1ab134a930/-2021-05-29-9.29.27.png" data-mid="115601751" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/72bf4e5a7b9e5798bbd2d97c21d4b210794acc98637b25bd9521dd1ab134a930/-2021-05-29-9.29.27.png" /&#62;&#60;img width="3336" height="1854" width_o="3336" height_o="1854" data-src="https://freight.cargo.site/t/original/i/7331e462a377d5cb94e226e7c659abf06cd9307f8d7991481690ee787628c7d5/-2021-05-29-9.29.12.png" data-mid="115601749" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/7331e462a377d5cb94e226e7c659abf06cd9307f8d7991481690ee787628c7d5/-2021-05-29-9.29.12.png" /&#62;&#60;img width="3332" height="1844" width_o="3332" height_o="1844" data-src="https://freight.cargo.site/t/original/i/e711c59fd0ac97c8a56f7add5e6ae440772c9a39dee78af0214a0d164621f693/-2021-05-29-9.28.58.png" data-mid="115601743" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/e711c59fd0ac97c8a56f7add5e6ae440772c9a39dee78af0214a0d164621f693/-2021-05-29-9.28.58.png" /&#62;



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